The Emily in Paris costume designer breaks down the season 3 seems to be


SPOILER ALERT. This interview incorporates spoilers from Season 3 “Emily in Paris“.

The method of designing the costumes for the third season of the sequence “Emily in Paris” started with an awesome noise.

Or somewhat, with bangs. Lily Collinswho’s enjoying Netflix: The title position of the dramedy first lower a number of bangs into her hair earlier than the look appeared on the present. Trying to show over a brand new leaf after the dilemmas created by the Season 2 finale, Season 3 begins with Emily being manic and wielding a pair of scissors, an ordeal that costume designer Marilyn Fitus discovered inspiring.

“All of it begins with Lily’s bangs. He despatched me an image, and all of the sudden it jogged my memory of the French icons of the 60s,” says Fitousi. “New wave movies. You’ve got obtained Jean-Luc Godard, you’ve got obtained Brigitte Bardot, you’ve got obtained Jane Birkin—all these delicate, swish silhouettes.” I stated. “Jesus, she seems to be like Françoise Hardy.” So the 60s is the start line for design. We’re enjoying a Parisian sport. it is time for him to embrace French tradition.”

Fitussi additionally identified the expansion of costume characters in Season 3; “Emily is beginning to gown a bit like Sylvie. [her boss, played by Philippine Leroy-Beaulieu]. I did a mirror sport between them. They love-hate one another, so Sylvie is wearing a bit extra coloration, and Emily is carrying high-waisted, dishevelled pants, which she did not have earlier than.”

Try a recap of Fitussi’s favourite characters from Season 3 beneath.

A retrospective of Pierre Cadeau


In episode 2, all of the seems to be at an occasion honoring Pierre Cadeau (Jean-Christophe Bouvet) allowed Fitussi to pay tribute to the real-life designer Stéphane Rolland, who has provided his work to Emile in Paris since Season 1 and is the premise of Pierre’s designs all through the present. throughout. Most of the outfits on this scene are Rolland items representing totally different levels of his profession, and Rolland himself does the emo.

Emily, nonetheless, wears a jacket from Dolce & Gabbana with dramatic, zebra-print sleeves.

“I noticed this piece once I went to Milan for a runway present. I used to be desirous about this jacket for Mindy [Ashley Park] at first,” Fitussi says. “However once I obtained the script and noticed the Pierre Cadault tribute and naturally Stéphane Rolland, I made a decision to make use of it for Emily.”


On this scene, Emily’s warring bosses, Sylvie and Madeline (Kate Walsh), seem in the identical fancy gown as Roland, which Fitus notes was chosen to make them appear like “two witches”. Roland’s clothes additionally knowledgeable Emily’s high-pitched voice; “It is all going to be a query of measurement and I can not lose my major character. So I known as Dolce & Gabbana and stated, “We have to have this jacket as quickly as attainable.”

Gabriel and Camille’s wedding ceremony


Camille (Camille Razat) wears a sublime but revealing off-the-shoulder gown that cuts mid-thigh for her wedding ceremony to Gabriel (Lucas Bravo) within the Season 3 finale. Designed by Jacquemus, it isn’t truly being marketed as a marriage gown, which is sensible contemplating the occasion was solely meant to be an engagement occasion till the couple spontaneously determined to make it official that night time.

“It was fairly troublesome as a result of when you consider a marriage or an engagement, you need to come out on prime. You need to be spectacular,” Fitussi says. “However with Camille we needed to do it in a really fashionable means. She works at an artwork gallery, so she could not appear like a cupcake. I needed so as to add poetry and subtlety as a result of I knew she was going to cry, and she or he seemed nice up shut.

Emily’s wedding ceremony gown is by Italian designer Giambattista Valli, who Fitus says was impressed by the Neo-Romantic period; To me, she seemed like an vintage portray, a girl from one other century. I assumed it was lovely to cowl her from head to toe and nonetheless present her legs; she all the time jogs my memory of a wonderful chicken, so I like to have her in these lengthy piece items and trains.”

“As soon as she does not desire a vibrant coloration, as a result of she was not a bride. She does not need all the eye on her,” says Fitussi, referring to the muted pink floral sample. However clearly, all eyes find yourself on her. When Camille stops the marriage to announce that Gabriel is definitely in love with Emily, the delicate white peeking out from behind the pink flowers on her gown begins to make sense.

Mindy’s: Occasion and efficiency look


Whereas Emily’s outfits get plenty of consideration on “Emily Paris,” it is Mindy who sports activities the boldest ensembles. Certainly one of Fitoussi’s favourite seems to be from Season 3 is the Souraya Chalhoub prime that Mindy wears to Pierre Cadault’s retailer opening occasion in Episode 8; “Souraya labored with us in Season 1. the little pink lace gown she wore was from Suraya. I like what he does as a result of it’s extremely dramatic and ideal for a efficiency.”


“She’s performing in all places, daily of her life,” Fitussi says of Mindy, who sings at a jazz membership all through Season 3 however attire to impress even when she’s not performing. “He is glowing. He is upstairs. It is one of many funnest characters I get to put on as a result of it is by no means sufficient. It shines at 10 or 15 within the morning; it is all day.’



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